Site news - Our Blog. Essentially the RPPC has a photograph on one side and a postcard back. The photographic image might be of anything, but the most common subjects are views, portraits and events. Recognising real photograph post cards. Look at the image carefully with a glass — if it is a photographic image individually exposed and printed photographically there will be continuous graduations of greys. Postcards printed in tiny dots will have been produced by another printing process.
Real photo postcard
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Real photo postcards are postcards with genuine photographic images on the fronts. They were designed and printed on the backs to be mailed, often having handwritten letters, addresses and postage stamps on the back. Real photo postcards with baseball subjects are popularly collected by vintage baseball card and memorabilia collectors, and prime examples of famous players and teams can fetch big bucks at auction. Vintage real photo postcards, including of non-sport subjects, is a major collecting area all around the world. Most real photo postcards were essentially family photographs and snapshots intended to be given to relatives and friends or to be put in the family album. The factory made real photo postcard photopaper that happened to be a convenient size for such purposes. These family photos and snapshots will show standard family poses, including little Jimmy in his school uniform, the family picnicking or a wedding reception.
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Germans in France cathedral destruction during the French revolution, subsidiary page to Germans in France. Marianne - a French national symbol, with French definitive stamps. Pic du Midi - observing stars clearly, A64 Carcassonne, A world heritage fortified city. Futuroscope Vulcania Space City, Toulouse. Le Tour de France: cycling tactics.
This guide is meant to aid the collector in identifying and dating real photo postcards, and to act as a reminder that it is impossible to do so with great accuracy. A lthough real photo postcards were made in a variety of ways, they hold one identifiable feature in common. The tonalities of photos are completely continuous to the eye producing true greys, for they are created by the reaction of individual photosensitive molecules to light rather than the transfer of ink from a plate.